Jusqu’ici, tout va bien

Mixed media: ink and collages of archival texts on canvas board.

In *So Far, So Good*, the work resonates as a poignant allegory of our contemporary condition.

Here, the artist orchestrates a masterful mise en abyme: two ink silhouettes, captured in the inertia of freefall, seem suspended above the abyss of time.
The choice of support—a palimpsest of yellowed pages and fragmented 19th-century texts—reinforces this philosophical dimension. The layers of paper act as the sediments of our collective memory, while the line, both raw and fragile, materializes the gesture of humankind, which persists in forging its path despite the collapse of its foundation.
The title, tinged with lucid cynicism, captures that precise moment when consciousness oscillates between denial and acceptance of the absurd. A rare work that questions our precarious balance with remarkable artistic intelligence.